Specifications for the Zoocosmologica Deck

A missive reads:

Please find as follows the specifications for the Zoocosmologica
Deck, with notes on the significant imagery and suggestions for
stylistic direction.

1. Taxonomy

The Zoocosmologica Deck will consist of 74 cards in all. Of these
total 74 cards, 56 will be of the Dasein, 16 will be of the
Mythic, and 2 will be without category.

Of the 56 Dasein, 14 will be of the suit Flowers, 14 will be of
the suit Stars, 14 will be of the suit Towers, and 14 will be of
the suit Spheres. Each suit will consist of, in order, one Passion
card, 9 Numeric cards whose count will begin at two and progress
upwards by whole numbers until arriving at ten, and 4 Morendo
cards of whom the first will be called Death, the second will be
called Ripple, the third will be called Harmony, and the fourth
will be called Finality.

The Mythic cards will be numbered from one to sixteen. In order,
they are Hummingbird, Elephant, Black Widow, Beastman, Mantichore,
Gryphon, Dragon, Great Bear, Pegasus, Unicorn, Sleipnir,
Jormungandr, Fenrir, Primordia, Cow, and Life.

Of the 2 uncategorized cards, 1 is The Egg, and 1 is The Seed.

2. Principle Designs

All 74 cards in the deck will be of a uniform width and height,
approximately five lengths wide for every seven lengths tall. All
74 cards in the deck will feature a depicted scene, which must
allow for directionality and should therefore not feature total
symmetry when folded over the horizontal axis, save for the Stars
Finality whose scene by happenstance is infinitely symmetrical.
All scenes will be encompassed by a border, save for the two
uncategorized cards whose scenes will extend fully to the edges of
those cards; uniformly about the card, the border will leave some
frame of white space between the scene and the edge of the card.
Within this white space, in the top left corner and reversed in
the bottom right corner, will be denoted the card's symbol and, in
the case of the Dasein, the card's suit below it. The color of the
border should be uniform across all cards, likely black, but
certainly not green. In the case of the Flower cards and the Stars
cards, the color used to depict the border should also be used to
depict the card's symbol and suit: This color should also be used
to denote the symbol in the case of the Mythic. In the case of the
Towers cards and Spheres cards, the color green should be used to
denote the card's symbol and suit. In the case of the two
uncategorized cards, a reasonable choice of contrastive color may
be used to depict each card's symbol against its scene.

The symbol of the Passion of Flowers and the Passion of Stars will
be the planet symbol of Venus, while the symbol for the Passion of
Towers and the Passion of Spheres will be the planet symbol of
Mars. The symbol of the Numeric cards will be that card's number
depicted in Arabic numerals. The symbol of the Death cards will be
a sword whose design will remain uniform across each suit. The
symbol of the Ripple cards will be a wave. The symbol of the
Harmony cards will be four parallel lines uniformly spaced and of
uniform width. The symbol of the Finality cards will be an
unfilled square of approximately half the height as that seen of
the numerals who serve as the symbols for the Numeric cards. The
symbol of the Mythic cards will be that card's number depicted in
Roman numerals. The symbol of The Egg will be an ovum. The symbol
of The Seed will be any plant seed whose shape reasonably
distinguishes it as such.

The scenery found within the suit Flowers will tend to employ a
pastel palette of light faded colors. The scenery found within the
suit Stars will employ a palette of white design on black
backgrounds and should employ no colors other than white and
black. The scenery found within the suit Towers will tend to
employ a palette centered around the color orange. Within the
scenery of the Spheres suit and the Beastman card, each sphere
will be depicted in a hue of blue which is uniform across Beastman
and all Spheres cards, save the Spheres Ripple.

It is suggested that the design found on the card backs feature a
horizontal line across the card's center, not near to touching
either edge, with the Greek minuscule letter zeta depicted above
and depicted in reverse below, such that the directionality of the
card is not made known by the back. The colors employed and any
additional design choices for the card backs may be chosen freely,
though the color green is strongly encouraged to be prominently
featured.

3. Significant Symbols in Scenery and Stylistic Suggestions

Passion of Flowers

The scene of the Passion of Flowers should primarily depict a
female dog's genitalia: More of the scene than not should be
composed of her vulva, which should be swollen with heat. She
should be of a large breed suitable for vaginal penetration by a
human penis. The vulva should appear that it has been smeared with
body paint: Of the three sections seen of a canine vulva, the top
and right sections should feature yellow paint, and the left
section should feature green paint; The green paint should be of a
lesser coverage than what is seen of the yellow paint on its
equivalent section. The dog's anus and the base of her tail should
be visible, but should not be the focus of the scene; the anus
should appear clean, without presence of fecal matter. If
possible, the perspective of the scene should be close enough such
that only the dog is depicted and nothing is seen beyond her.

Two of Flowers

The scene of the Two of Flowers should depict two dogs mating in
the woods. Above them, hanging vines descend to produce an arched
shape on the scene's upper half. Behind the dogs, trees should be
spaced such that they alternate being planted distantly and
closely in two rows, and nothing beyond the back row of trees can
be seen. On the grass near to the dogs' heads, two plucked flowers
should lie on the grass. The dogs may be of any breed and the
flowers may be of any species.

Three of Flowers

The scene of the Three of Flowers should depict a dog, a fox, and
a cat sleeping cuddled together in the forest beneath the shelter
of a bush. The cat should be in the possession of three flowers,
perhaps placed about her face.

Four of Flowers

The scene of the Four of Flowers should depict a sheep's leg below
the knee, with four flowers of any species placed along the leg.
The leg should be standing on the ground and the hoof should
appear to be in good health. The ground should be light brown
dirt, with no other background visible.

Five of Flowers

The scene of the Five of Flowers should depict five flowers
arranged in a pentagon; the pentagon should be upright, such that
a line drawn between the two bottom flowers would be parallel with
the bottom border of the scene. Bees should be present here and
there among the flowers, and should also be present in two
distinct horizontal lines traveling left and right above the five
flowers.

Six of Flowers

The scene of the Six of Flowers should depict two mermaids, one
with the face of a fish, and the other with the face of a human.
The mermaid with the face of a fish places six flowers in the hair
of the mermaid with the face of a human.

Seven of Flowers

The scene of the Seven of Flowers should depict a dog lying within
a cage in the woods. The perspective should look into the cage
from the front; The bars of the cage should be overgrown, with the
door of the cage missing. On the front side of the cage, around
where the edges of the door would be, should be seven flowers,
heavily skewed in quantity towards the top left corner, with only
one flower near the bottom right.

Eight of Flowers

The scene of the Eight of Flowers should depict eight hatchling
turtles walking across the sand, from the bottom of the scene
towards the sea which is thinly visible at the top of the scene.
Resting atop the shell of each turtle should be a flower.

Nine of Flowers

The scene of the Nine of Flowers should depict a soldier giving a
bath to a dog. The soldier should have a green camouflaged uniform
and an assault rifle on his person, and should be depicted without
a face. On the bath tub and on the wall behind are seen nine
flowers, none placed close together.

Ten of Flowers

The scene of the Ten of Flowers should depict a raccoon holding a
flower, while standing in a clearing of grass where nine
additional flowers grow nearby her.

Flowers Death

The scene of Flowers Death should depict a single rose, drooped,
wilted, and visibly dead. The dead rose should be shown against a
blue-purple background. No thorns should be visible on the rose's
stem.

Flowers Ripple

The scene of Flowers Ripple should depict the same dead rose as
the Flowers Death, though now the drooped rose is lifted by a
dog's tongue. The dog's mouth should be around the end of the
flower, teeth and tongue prominently visible, drool hanging from
the corner of the dog's mouth. It should be clear that the dog is
beginning to eat the flower. As little of the dog as possible
should be shown beyond the muzzle, and the eyes in particular
should be omitted.

Flowers Harmony

The scene of Flowers Harmony should depict the same dog as Flowers
Ripple: The dog is now defecating in front of brown reeds near a
lake. Through the reeds a farm can be seen across the lake, with
fields of soil and a barn. The entirety of the dog should be
visible in the scene, and should occupy as much of the scene as
possible while allowing for the other elements described.

Flowers Finality

The scene of Flowers Finality should depict a flower pot viewed
from an askewed angle above. The spout of a watering can should be
pouring water into the soil. In the center of the flower pot,
small green leaves are budding up from the soil.

Passion of Stars

The scene of the Passion of Stars should primarily depict a female
horse's genitalia: The mare's vulva should be centered within the
scene, taking up as much of the scene as possible while allowing
for the depiction of her anus and her tail. Her tail should
generally be positioned in an arc going around the right side of
the anus and the vulva; The tail should not be depicted in full,
and should be cut off by the scene's right border, bottom border,
and top border. On the line comprising the leftmost edge of the
vulva, on the leftmost point of this line, there should be a
shining star by which this constellation is known.

Two of Stars

The scene of the Two of Stars should depict a female horse and a
male horse mating. A shining star should be depicted in the head
of each horse.

Three of Stars

The scene of the Three of Stars should depict a great big tree,
with three stars in a vertical line centered within the tree's
trunk. The entirety of the tree may or may not be depicted, though
as much of the trunk as possible should be contained within the
scene.

Four of Stars

The scene of the Four of Stars should depict a snake diving
towards a fleeing rabbit. Three stars should be contained within
the snake, one at the head and two in the body, while one star is
contained within the rabbit. The mouth of the snake should be open
as though to eat the rabbit imminently.

Five of Stars

The scene of the Five of Stars should depict a thistle. Two stars
should be in a flowering bud, one in the flower and one in the
bud, while on a separate node a star is contained within a non-
flowering bud, and a fourth star is contained at the fork between
these two nodes, and a fifth star is contained at the base of the
thistle.

Six of Stars

The scene of the Six of Stars should depict a camel. The stars of
this constellation should be found one in the hind hooves, one in
the hindquarters, one in each of the two humps, one in the head,
and one in the forehooves.

Seven of Stars

The scene of the Seven of Stars will depict seven dolphins, with
one star contained in each dolphin. Superimposed over the body of
each dolphin should be a character from the Greek alphabet,
namely, uppercase alpha, lowercase alpha, uppercase beta,
lowercase beta, uppercase omega, lowercase omega, and uppercase
zeta.

Eight of Stars

The scene of the Eight of Stars should depict the face of a
reindeer looking directly at the viewer. Her antlers will contain
eight total points, with a star contained within each of these.

Nine of Stars

The scene of the Nine of Stars should depict a human knight,
riding atop a horse. The horse should stand on her hind legs, and
the knight should have her sword drawn and raised tall.

Ten of Stars

The scene of the Ten of Stars should depict the same human and
mare as seen on the Nine of Stars. In this scene, the human is
visiting with the mare in a stable.

Stars Death

The scene of Stars Death should depict a gigantic human stabbing
through a star with a sword, tearing the star apart with the
piercing blow. The human should appear enraged; He should have
long hair and a long beard; He should appear very muscular; His
closed hand should be approximately one fourth to one half the
size of the star. In line with the Principle Designs outlined
earlier, he should be depicted strictly in white and in black,
with no other colors or greys present.

Stars Ripple

The scene of Stars Ripple should depict the partial orbital lines
of planets circling around a no longer present sun; with the sun
gone, these orbital lines will become straight lines exiting the
scene in a variety of directions. Compared to the scenes of other
cards, Stars Ripple should be among the most minimalist in design.

Stars Harmony

The scene of Stars Harmony should depict a galaxy. The Milky Way
Galaxy may be an ideal choice to depict, though any galaxy should
suit the purpose of this scene.

Stars Finality

The scene of Stars Finality should be uniformly black and should
feature no further design, save that which should exist outside of
the border of the scene.

Passion of Towers

The scene of the Passion of Towers should primarily depict a male
horse's genitalia: The underside of a stallion should be seen in
profile, with his penis fully dropped from his sheath. The
entirety of the penis should be in the scene and should be the
scene's focal point; The hind legs of the stallion should be
partially within the scene on the left border, while the forelegs
need not be depicted; The belly of the horse should be visible,
while the horse's back should not be visible. The horse should
stand at the edge of a cliff, below which can be seen a forest
landscape, beyond which is a blue sky.

Two of Towers

The scene of the Two of Towers should depict a male donkey and a
female donkey mating. The two donkeys stand in a field at sunset:
the sun is not visible in the scene, though the shadows of the
donkeys may suggest that the sun is to the left of the scene. The
donkeys should be positioned near the bottom left of the scene.
Near the top right, in the distance, two towers are visible.

Three of Towers

The scene of the Three of Towers should depict three horses
sleeping while encompassed by three crude wooden watchtowers.

Four of Towers

The scene of the Four of Towers should depict four totem poles,
the leftmost of which is not on fire, while the other three are
engulfed in flames. At the foot of each totem pole should be a
pile of kindling. Standing congregated near the three burning
totem poles should be a collective of three werewolves bearing
torches.

Five of Towers

The scene of the Five of Towers should depict three cats among
five cat towers. The topmost cat should be walking, the middlemost
cat should be in the midst of leaping, and the bottommost cat
should be lying down.

Six of Towers

The scene of the Six of Towers should depict an interior view of
an aquarium, with six prop towers of various heights and designs
seen within. Swimming among the towers is a goldfish, who occupies
a nontrivial amount of this scene.

Seven of Towers

The scene of the Seven of Towers should depict a cityscape with
either seven smokestacks or seven skyscrapers distinctively in
view. Somewhere in the scene, seven crows sit in a line.

Eight of Towers

The scene of the Eight of Towers should depict a lake, with eight
towers in the background along the lake's perimeter. In the
foreground, in the water of the lake, is an otter.

Nine of Towers

The scene of the Nine of Towers should depict an assortment of
bugs smoking from nine hookahs. The bugs do not need to be to a
realistic scale and may include a diversity of types of bugs, such
as moths, grasshoppers, and ants. Not every hookah needs to have a
bug presently at it, though at least a few hookahs should be in
use.

Ten of Towers

The scene of the Ten of Towers should depict ten penises of
various species shown within a display case. The penises should
point towards the top of the scene, and while no cues need be
given that the penises are explicitly still alive, no penis should
be made to appear dead. Equine and canine penises may be avoided
if possible, so as not to be conflated with other scenes.

Towers Death

The scene of Towers Death will depict a giant human woman pushing
over a tower. Very close in the foreground, rubble from an already
toppled tower can be seen. In the background can be seen a tower
which is yet standing. The perspective should be such that a good
amount of the ground surrounding the falling tower can be seen.

Towers Ripple

The scene of Towers Ripple should depict the same scene and
perspective as Towers Death, though some time has passed. The
tower in the background which was standing has now fallen as well,
and now may be visible or not within the scene. In the rubble of
the middle tower, using the rubble as part of the construction, a
pleasant rustic house has been built. A human can be seen in front
of the house using a scythe to cut a field of tall grassy plants.
Smoke can be seen emerging from the house's chimney.

Towers Harmony

The scene of Towers Harmony should depict the same scene and
perspective as Towers Ripple, though some additional time has
passed. The house depicted before has been expanded upon, and is
now one of multiple buildings which encompass a courtyard. Human
figures can be seen in the courtyard, including one human pulling
a cart, two humans talking, and one human juggling as two humans
watch. Somewhere in the scene, a shepherd walks with a flock of
sheep. On the rubble in the foreground, there now rests an empty
glass bottle such as one may drink beer or soda from.

Towers Finality

The scene of Towers Finality should depict the same scene and
perspective as Towers Harmony, though much time has passed. There
is no longer any rubble or other structure standing in the scene.
The landscape is now barren parched dirt. The sun hangs in the
background, fully visible within the scene, not centered within
the scene, not touching the horizon.

Passion of Spheres

The scene the Passion of Spheres should primarily depict a male
dog's genitalia: A male dog should be seen from behind, with a
human hand holding the base of the dog's penis behind the bulbus
glandis such that the penis is visible from this vantage. A blue
circle should be superimposed around the bulbus glandis: This
circle should be centered horizontally and vertically within the
scene and should act to highlight the scene's focal point. A dimly
lit stonework wall and floor should be visible beyond the dog, to
the extent if any that the background is seen.

Two of Spheres

The scene of the Two of Spheres should depict an altar overgrown
with creeping vegetation, where one orb can be seen resting on a
pedestal while another orb can be seen hanging from a fine chain.
The two orbs should be somewhat nearby one another, though not
directly over or beneath each other. On the overgrown altar, not
centered on the altar nor centered in the scene, two foxes can be
seen mating.

Three of Spheres

The scene of the Three of Spheres should depict a human figure
conducting a ritual with three spheres which stand on pedestals.
The human reaches as though to touch a sphere, but a cat slinks in
between the hands and the sphere, nuzzling the back of his head
against the sphere. The human is partially costumed to resemble a
dog of the breed husky, likely including a pair of faux ears and a
faux tail.

Four of Spheres

The scene of the Four of Spheres should depict a flying squirrel
leaping towards the ground, with a tree beside her. On the tree
should be measuring marks as that seen on a ruler, though
unlabeled. On the tree in a vertical row should be four spheres.

Five of Spheres

The scene of the Five of Spheres should depict a rat standing on
her hind legs among wood shavings. Behind the rat should be walls
composed of horizontal wooden slats, on which mathematical
formulas are written across many slats. Behind the rat, but
visible to the viewer, in the corner formed by the two visible
walls, should be stacked five spheres.

Six of Spheres

The scene of the Six of Spheres should depict a formal ball, where
six couples dance hand in hand, facing one another; each of the
six couples should be composed of one human and one dog, with each
dog preferably being of a different breed. Above the head of each
couple, a sphere should be depicted.

Seven of Spheres

The scene of the Seven of Spheres should depict the face of an
underwater rock structure, with an octopus camouflaged over the
top of the rock's surface, his skin colored to match that of the
rocks. Among the octopus's tentacles are six spheres, which the
tentacles should not obscure.

Eight of Spheres

The scene of the Eight of Spheres should depict coffee beans, with
eight tiny spheres partially buried among the beans. The spheres
should appear in a uniformly spaced grid of two across and four
down. Crawling among the coffee beans should be two beetles, one
appearing between the two uppermost orbs, and one appearing
between the righthand side's lowest and second lowest orb.

Nine of Spheres

The scene of the Nine of Spheres should depict a discarded leg
bone which appears to have been chewed on thoroughly by a canine.
Embedded throughout the leg bone are nine spheres.

Ten of Spheres

The scene of the Ten of Spheres should depict two dogs sitting on
a piano bench, playing a duet on the piano. On the sheet music
which they read from, ten spheres are depicted with arcane
geometric imagery connecting them; the sheet music does not need
to look like any real-world musical notation.

Spheres Death

The scene of Spheres Death should depict a man of advanced age
smashing a sphere by throwing it onto the ground in front of a
stained glass window. The sphere should be depicted in the process
of shattering, such that it is clear what the object is and what
is happening to it. The entirety of the stained glass window
behind the human need not be shown; the window should depict an
abstract collection of colored panes with no distinct imagery. The
man should be in the interior of the building to which the stained
glass window belongs.

Spheres Ripple

The scene of Spheres Ripple should depict a book lying open upon a
violet tablecloth. The visible pages of the book should feature
text which is not rendered in such a way that it can be read in
this scene; on the righthand page, with text above and below,
should be an illustration of a sphere; the sphere and the text
should be of the same color, likely black, though blue should be
avoided.

Spheres Harmony

The scene of Spheres Harmony should depict the interior of a
library: rows of book shelves can be seen on the left and right of
the scene, and in the distance, a bookshelf forms the background
of the scene as well. Superimposed upon the scene should be three
concentric circles, uniformly spaced, centered both horizontally
and vertically within the scene; these three circles should all be
rendered thinner than the circle superimposed upon the scene of
the Passion of Spheres.

Spheres Finality

The scene of Spheres Finality should depict the ocean at night,
with a mushroom cloud in the distance. The mushroom cloud should
be the prominent feature of the scene, though it need not take up
much of the scene: it should appear very far away. A thick
horizontal blue line should be superimposed across the center of
the scene, intersecting with the head of the mushroom cloud.
Nothing in the scene should appear in front of the blue line, and
the blue line should not be reflected in the water. Stars in this
scene should be rendered sparingly, and if possible the ocean and
the sky should bear a slight degree of color other than black, so
as to avoid confusion with the suit Stars.

The Egg

The scene of The Egg should depict a brown chicken egg resting
upright on a primate's open palm. The sky should be seen in the
background: The weather and the time of day may be decided freely,
though it should not be nighttime solely to avoid confusion with
the Stars suit. On the egg will be positive holy symbols painted
on with an artist's brush. The exact holy symbols may be decided
freely, though one suggestion for a set would be a Cross, a Yin
and Yang, an Om, and a Pentacle. The holy symbols may be painted
with any color or with multiple colors, with black being an
entirely acceptable option.

The Seed

The scene of The Seed should depict a collection of various plant
seeds decoratively arranged in concentric circles: Each circle
should be comprised of one type of seed. The outermost circle
should be incomplete in a section at the bottom left, and a
primate hand should be seen reaching into the scene and arranging
the seeds to complete the circle. The surface on which the seeds
rest may be decided freely, though some suggestions would be on a
wooden table, on a boulder with a moderately flat top, or on a
plane of smooth sand. In a line across the circles traveling from
near the bottom right of the scene and towards the top left should
be a splatter of seminal fluid: Though the semen need not be of
any specific species, it should be of a quantity such that it is
enough to be visible but not so much that a human would be highly
unlikely to have produced it in a single instance.

Hummingbird

The scene of Hummingbird should depict a stem along the left side
of the scene, leading up to a flower from which a hummingbird
drinks: The hummingbird should occupy a large share of the scene.
Along the stem should be bunches of orange berries or buds,
arranged into ten clusters, the farthest from the flower being a
cluster of one, and increasing by whole numbers until arriving at
a cluster of ten nearest the flower: the stem may need to go above
the flower to near the top of the scene and then bend back
downwards in order for this to be accomplished. Above the
hummingbird's head, the image of a lemniscate should be
superimposed.

Elephant

The scene of Elephant should depict a lone elephant walking
towards the viewer. Each of the elephant's ears should be painted
in the style of paintings created by elephants, and to the extent
possible, neither painting should bear resemblance to symbology
from any human culture.

Black Widow

The scene of Black Widow should depict a black widow spider on a
background of layers of spider webs. Some or all of the spider's
legs should be spread out to cover as much of the scene as
possible while still keeping her within the scene in her entirety.

Beastman

The scene of Beastman should depict four humanoid figures who each
possess the facial features and the fur, scales, or skin of a
nonhuman animal. Each figure should bear the likeness of a
different species of animal, though which four species are
depicted may be chosen freely. Each figure should be of a
particular gender and should be touching or by forced perspective
have the appearance of touching a particular object: the figure
with a male body and feminine clothing should be touching a
flower; the figure with a female body and feminine clothing should
be touching a star; the figure with a female body and masculine
clothing should be touching a tower; the figure with a male body
and masculine clothing should be touching a sphere. The placement
of each figure and object in the scene may be chosen freely.

Mantichore

The scene of Mantichore should depict one mantichore on his back,
swatting at a severed human hand which hangs from a string. The
string should continue up until it is out of the scene, with its
holder unknown. Part of the bone should be seen sticking out of
the severed hand, and some blood should be visible around the
wrist.

Gryphon

The scene of Gryphon should depict three gryphons standing in an
abstract plane. One gryphon nuzzles the flank of another, while
the third gryphon playfully drapes herself over the back of the
gryphon whose flank is being nuzzled. All three gryphons appear
agreeable to each other's actions. The entirety of each gryphon
may or may not be depicted in the scene, so long as the preceding
imagery is able to be conveyed.

Dragon

The scene of Dragon should depict a gargantuan dragon breathing
fire in a barren landscape: the scene should be viewed from an
angle overhead, and a mountainous landscape surrounding the dragon
should indicate the dragon's immense size. In the moment in time
depicted in the scene, the dragon should appear imposing and
fearsome.

Great Bear

The scene of Great Bear should depict a gargantuan black bear
standing over a city, with the moon haloed behind her head. While
the great bear should appear entirely capable of crushing any
portion of the city in a single step, the great bear should not be
depicted as causing any destruction. The moon behind the great
bear should feature additional coloration other than pure white,
likely an orangeish yellow or a muted green.

Pegasus

The scene of Pegasus should depict a winged horse in flight, wings
spread grandly. She appears to gallop on air towards the viewer.
She should appear on a background of a bright blue sky. Wispy
clouds may be seen about her legs and chest as she soars through
them. The image of a lemniscate should appear superimposed over
one wing, and superimposed over the other wing should appear a row
of four images: from left to right, two instances of the planetary
symbol of Mars and two instances of the planetary symbol of Venus;
the four symbols should appear close to their neighbor or
neighbors, but none touching.

Unicorn

The scene of Unicorn should depict a unicorn in a castle
courtyard, standing on grass and flowers, with a stone wall behind
which incorporates gold into the design, possibly as the mortar.
In a horizontal row across the scene, partially superimposed over
the body of the unicorn while still allowing her to be clearly
seen, are the symbols for the suits Flowers, Stars, Towers, and
Spheres. Above the unicorn's head, not centered in the scene and
not obscuring the unicorn's horn, is the image of a lemniscate.

Sleipnir

The scene of Sleipnir should depict a beautiful eight legged grey
stallion mounting a male donkey and penetrating the donkey's anus:
The donkey's penis should be fully dropped from his sheath, and he
should be ejaculating. The two should be depicted inside of a
cave, with instances of sourceless fire scattered about the cave
floor lighting the scene. Superimposed over the side of Sleipnir's
body, ideally centered in the scene, should be the image of a
lemniscate. Superimposed in an arc over the darkness above
Sleipnir and the donkey should be the four Morendo symbols, in
order from left to right, Death, Ripple, Harmony, and Finality.

Jormungandr

The scene of Jormungandr should depict the world serpent biting
his own tail: The head should come in from the left border of the
scene, and the tail should come in from the right border of the
scene. Below Jormungandr is a roiling ocean, and above Jormungandr
is a yellow sky.

Fenrir

The scene of Fenrir should depict the gigantic black wolf Fenrir
with the bloodied corpse of Odin in his mouth. The humanoid god
should fit comfortably in the mouth of the legendary wolf.

Primordia

The scene of Primordia should depict the planet, the moon, the
sun, and the void. This depiction may be literal or not, though
personification into humanoid likenesses should be avoided. While
this card should feature directionality, it is acceptable in this
specific card for it to be unclear on which orientation of the
scene is the upright and which is the reverse.

Cow

The scene of Cow should depict a cow standing in a field of grass,
facing the right border of the scene. The sky behind the cow
should be blue, though this may not be made clear, as the sky
should primarily feature dense radial patterns centered around the
cow composed of overlapping lines of light green, light yellow,
lavender, and pink. A human hermaphrodite should be depicted in
the act of mating with the cow. Pine trees should be seen in the
field some distance away.

Life

The scene of Life should depict a newborn wolf suckling on a human
breast. Exact decisions on the framing may be made freely, though
the scene should closely feature the wolf and should show little
if any of the human beyond the breast.

4. A Note In Closing

Please do see that this matter is approached with sincerity and
compassion, and while not avoiding gravitas, in twice as much
measure or more do not avoid levity. Many will seek to use these
cards for divination, and we hope that their path will be well
guided: As with all things, whether it is real and helpful or
surreal and helpful, it is helpful.